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VA-Studio One Soul-CD-FLAC-2001-YARD
Description :
street date: 00-00-2001
rip date: 15-09-2013
artist : VA
title : Studio One Soul
year : 2001
genre : Reggae
label : Soul Jazz Records
cat-nr : SJRCD50
Encoder : FLAC 1.2.1
Ripping Tool : EAC
website :
Source : CD
tracks : 18
length : 60:25
nr. song title length
1 Leroy Sibbles — Express Yourself 3:34
2 Norma Fraser — Respect 2:50
3 Leroy Sibbles — Groove Me 2:44
4 Sound Dimension — Time Is Tight 2:51
5 The Heptones — Message From A Black Man 3:24
6 Otis Gayle — I’ll Be Around 3:36
7 Jerry Jones — Still Water 2:50
8 Sound Dimension — Soulful Strut 2:02
9 Richard Ace — Can’t Get Enough 3:32
10 The Chosen Few — Don’t Break Your 3:59
Promise
11 The Eternals — Queen Of The Minstrels 3:24
12 Norma Fraser — The First Cut Is The 3:16
Deepest
13 Ken Parker — How Strong 2:20
14 Kenn Boothe — Set Me Free 7:06
15 Senior Soul — Is It Because I’m Black 3:14
16 Jackie Mittoo — Deeper & Deeper 2:50
17 Alton Ellis — I Don’t Want To Be Right 3:32
18 Willie Williams — No One Can Stop Us 3:21
releaseinfo
YARD FLAC FORCE
Following on from Studio One Rockers comes Studio One Soul which tracks the
link between American Funk and Soul and Jamaican Reggae at the legendary
Studio One Records
Curtis Mayfield Aretha Franklin Otis Redding The Temptations King Floyd
Booker T and The MGs — all these artists had a huge influence on Jamaican
artists and this CD contains versions of songs by all of them. Featuring
classic and rare Reggae Funk and Soul cuts from the Reggae giants alongside
rarer cuts Studio One Soul spans over 20 years of classic Reggae from the
Rocksteady Funk through to the deep Roots music. Following on from Studio
One Rockers this second journey into the vaults of Studio One tells the
story of the important link between American Funk and Soul and Jamaican
Reggae. Ranging from music taken from the mid-1960s (and the arrival of
Rocksteady) through to the beginning of the 1980s Studio One Soul features
versions of US Funk and Soul hits (many rarely heard before) from some of
the many classic artists who recorded at Studio One. American Soul music has
always been an important influence on Jamaican Reggae. The beginning of the
Jamaican recording industry at the end of the 1950s started with Clement
Coxsone Dodd (owner of Studio One) and a group of select in-house
musicians (originally The Skatalites) recording their own version of
American R’n'B. Playing on the off-beat this music became Ska. As American
R’n'B progressed through Funk Soul and Disco Jamaican music was going
through its own musical changes from Rocksteady throught to Reggae and
Roots music. The house-band at Studio One recorded on a daily basis behind
all Studio One vocalists as well as recording instrumentally in its own
right. Soul singers such as Curtis Mayfield and The Impressions (Queen Of
The Minstrels) had a profound influence on Jamaican artists and many other
US artists were constantly re-interpreted and re-worked. Artists such as
Aretha Franklin (Respect) Charles Wright (Express Yourself) King Floyd
(Groove Me) Otis Redding (How Strong) were all very popular in Jamaica in
the 1960s. At the end of the 1960s Black Consciousness became an important
part of American Soul music. At the same time many Jamaican artists were
starting to look to their roots. Many artists would shortly become involved
in Rastafarianism. The conscious lyrics of American Funk and Soul again
struck a chord with Jamaican artists. Message From A Blackman (originally
by The Temptations) and Is It Because I’m Black (Syl Johnson) are examples
of this. Through the 1970s SoulDisco artists such as Barry White (Can’t
Get Enough and Deeper and Deeper) and The Detroit Spinners (I’ll Be
Around) became the flavour of the day. This CD finishes with Willie
William’s interpretation of Ashford and Simpson’s classic Ain’t No Stopping
Us Now
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