Bob Marley And The Wailers-Babylon By Bus-(TGDCD1)-CD-FLAC-1990-LEB
Description :
Bob Marley & The Wailers – Babylon By Bus
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| Artist ….. : Bob Marley & The Wailers |
| Album …… : Babylon By Bus |
| Year ……. : 1990 |
| Label …… : Island Records/Tuff Gong |
| Cat.No ….. : TGDCD 1 (846 197-2) |
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| Genere ….. : Reggae |
| Tracks ….. : 13 |
| Duration … : 73:37 min |
| Source ….. : CDDA |
| Street Date : 1990-00-00 |
| URL …….. : http://www.discogs.com/release/2037128 |
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| Release Size : 508.9MB |
| Ripping Tool : EAC |
| Encoder …. : FLAC 1.2.1 |
| Quality …. : 917 kbps / Avg 44.1kHz / 2 channels |
| Rip Date … : 2014-04-03 |
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+——————————–[Track List]——————————–+
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| 01. Positive Vibration 05:48 |
| 02. Punky Reggae Party 05:50 |
| 03. Exodus 07:39 |
| 04. Stir It Up 05:20 |
| 05. Rat Race 03:38 |
| 06. Concrete Jungle 05:39 |
| 07. Kinky Reggae 04:48 |
| 08. Lively Up Yourself 06:20 |
| 09. Rebel Music (3 O’Clock Road Block) 05:23 |
| 10. War/No More Trouble 05:30 |
| 11. Is This Love 07:29 |
| 12. Heathen 04:29 |
| 13. Jamming 05:44 |
| —– |
| Total: 73:37 |
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| Arguably the most influential live reggae album ever, “Babylon by Bus” |
| captures Bob Marley and the Wailers during the European leg of their |
| “Kaya” tour in the spring of 1978. The success of this set was not |
| entirely unexpected, however. If the universal and widespread acclaim |
| of Live!, their first concert recording was an indicator, all involved |
| knew that a Bob Marley and the Wailers performance contained unique |
| energies and a vibe all of it’s own. Sharply contrasting the somewhat |
| pastoral grooves of the “Kaya” album, Babylon by Bus possesses a more |
| aggressive sound which was a trademark of this particular band. Tyrone |
| Downie’s progressive rock keyboard flavors on “Exodus,” as well his |
| judiciously located percussive clavinet accentuations during “Punky |
| Reggae Party” lock in with Aston Familyman Barrett’s viscous basslines |
| to create something akin to psychedelic reggae or even along the lines |
| of Parliament / Funkadelic. Likewise, “Heathen” highlights Anderson’s |
| explosive guitar leads which are distinctly reminiscent of Eddie Hazel |
| from his early days with Funkadelic. The lead guitar solos on “Rebel |
| Music (3 O’Clock Roadblock)” & “Is This Love” also define Al Andersons |
| innovative and decidedly Western guitar style, as it is seamlessly and |
| thoroughly integrated with Marley and the Wailers. As with their first |
| concert album, “Babylon by Bus” highlights material from the band’s |
| history up to that point. “No More Trouble” is placed in an entirely |
| new context when linked with “War,” which features lyrics taken from a |
| United Nations speech given by Haille Selassie I the Ethiopian emperor |
| considered the father of modern Rastafarianism. Other early tracks, |
| such as “Kinky Reggae” and “Stir It Up,” prove to be not the only |
| favorites of concert attendees. More recent offerings of “Is This Love |
| “Jammin’” & “Exodus” actually garner the most audible support. Without |
| question, Babylon by Bus is an integral component of any popular music |
| collection. |
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